Lines as Language: A Conceptual Approach to the Samaru Landscape in Contemporary Painting

This study investigates the role of line as a conceptual language in interpreting the Samaru landscape through painting. It explores the progression from realism to abstraction and conceptual reassembly, positioning line not merely as a structural device but as a medium of cultural and philosophical expression. Using a practice-based methodology, the research incorporates painting, drawing, and mixed-media explorations as both process and outcome. The objectives were to render the Samaru landscape in realistic depictions at different times of the day, abstract its key elements through line, reassemble them into conceptual compositions, and experiment with three-dimensional interpretations. The findings demonstrate that line operates as a visual language that transcends likeness, symbolising rhythm, communication, and identity. Within this framework, the Samaru landscape becomes both subject and catalyst for broader artistic exploration. The study situates itself in relation to Impressionism, Post-Impressionism, and Conceptual Art while contributing to contemporary African art by grounding global approaches in local contexts. It concludes that line serves as a bridge between realism and abstraction, tradition and innovation, locality and universality. Further cross-disciplinary exploration of line is recommended to strengthen dialogue between African art and global visual culture.