Zumnan Moses Sekuk

A Visual Interplay of Cracks Metaphorically to Present Segregation in Conceptual Painting

This installation-based study investigates the intersection of conceptual art, site-specific installation, and socio-political critique by employing the metaphor of cracks to visualise segregation. Executed on and around a visibly cracked wall, the work unfolds in three interconnected parts that blend found objects, black-painted tree branches, and...